This summer, from June 6th to July 13th, 2024, 1515 Lincoln Gallery is pleased to present its latest exhibition, "Wading Through Cracks of Gravity,” featuring the solo works of Pacific Northwest painter Janice Tayler. This captivating showcase will highlight a series of Janice's paintings, which depict abstract landscapes crafted from fragmented memories and fleeting moments in time. The artist employs a diverse array of materials and inspirations including photographs of decaying structures, cardboard debris, sand, oil paint, and newspaper clippings.
Reflecting on her creative process, the artist shared, "I believe that within these fractured memories and fleeting moments, the true essence of the human spirit emerges—the remarkable ability to discover joy even amidst life's darkest challenges. While the complexities of existence may cause us to bend, we do not break under their weight. Instead, we find strength and resilience in our capacity to endure, ideally transforming and evolving through these experiences."
Tayler's paintings beckon viewers into intricately layered and nuanced worlds, inviting connection and pushing the boundaries of traditional landscape art. Standing before a Janice Tayler painting is akin to stepping into a dreamscape rich with color, texture, and the indomitable human spirit. This vibrant collection promises to inspire deep contemplation about the world around us and within. We invite you to join us for the gallery's opening reception with the artist on Thursday, June 6th, 2024, from 6:00 pm to 8:00 pm.
About Janice Tayler
Born in Winnipeg, Manitoba, Canada, Tayler resides in the Pacific Northwest with her husband. Since 2004 she has sold and exhibited her work across Canada, the USA, and Europe. In Canada, she is represented by Warehouse Artworks, Wayne Arthur Gallery, and Gallery Lacosse in Winnipeg. In the USA she is represented by Ryan James Gallery in Kirkland, Seattle, and 1515 Lincoln Gallery in Oklahoma City.
Quotes From the Artist
“Each canvas within this series serves as a testament to the complexities of our existence, the dance between moments of struggle and joy, where my personal narratives intertwine with the human collective.”
“I work quickly and intuitively. I shift between the wall and the floor, engaging in a rhythmic improvisational duet with the canvas, I turn it from a horizontal to a vertical orientation. I build up the surface and then strip it away, revealing the layers beneath. The process is analogous to our own lived layers and complexities.”