daniel green

In this interview, we explore the artistic journey of an artist who blends modernism with neo-expressionism. His work, inspired by both the wild landscapes of Africa and the rich memories of Europe, incorporates unconventional materials to create pieces that resonate with political and cultural significance. Discover the routines, influences, and motivations that shape his distinct and innovative approach to art.

What led you to become an artist?

Green Horses by Daniel Green

God.

Can you describe a typical day or routine in your studio?

When I'm in Africa, my typical day starts around 8 am. I go out on a motorcycle with a sketchbook and ride almost until sunset through the vast expanse of the wild African savannah in northern Kenya or Uganda, where I do small sketches. Usually, I return a few hours before sunset to my studio and write. If I’m in my studio in Europe, I usually paint from photographs and memories.

How would you describe your artistic style?

Conceptual modernism and neo-expressionism.

What materials and techniques do you prefer to work with, and why?

I work with different materials, introducing into the history of art new materials that have not previously been used in art, such as shell casings, bomb fragments, clock mechanisms, meteorite iron, keys, and fossils. For each new concept of an object, I try to find new materials.

How do you approach color and composition in your paintings?

I love bright, vibrant colors. I try to be laconic in composition, and I love simple forms that speak to the viewer in a language they understand.

Is there any advice you would give to aspiring painters based on your experiences?

Do something that no one has seen before. Think as no one has thought before. Feel like no one has felt before. Art is synonymous with the words novelty, uniqueness, and freedom.

What themes or subjects inspire your artwork the most?

I am inspired by topics that are relevant to humanity in a political and cultural sense.

Are there any particular artists or movements that have influenced your work?

Jean-Michel Basquiat, Monet, Cezanne, Malevich.

How do you stay motivated and engaged in your work?

Art is like sex; you periodically just want it. It’s something in the blood, in the genes, that makes you pick up a brush and splash out a piece of your inner freedom onto the canvas.